How to review a concert

Charles Shere shows us.

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Between Style and Invention

Horizontal, nursing a summer cold, I've plowed my way through Daniel Heartz's Music in European Capitals: The Galant Style, 1720-1780 .  It has a lot of contextual data (especially of the who-met-whom-and-when-and-where-they-met variety) and usefully covers repertoire and composers and locales that have been slighted by the standard classical musical history survey course (which tends to jump straight from Sebastian Bach to Haydn).  Useful, but jeez, it is anything but a pleasure to read, with too little analysis of the music itself and an organization by capital cities and then by composers which often requires the author to do some awkward jumping.  (Fortunately, we have Robert Gjerdingen's delightful Music in the Galant Style to make up for some of the theoretical deficits.) Moreover, it's in a graceless writing style that refuses to invite the reader into repertoire that is often, very much inviting, especially when one considers a cast of composers including Vival...
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Dead-Dropped Music?

Artist Aram Bartholl is embedding usb drives into walls, buildings and curbs for public but anonymous data up- and downloads. Not surprisingly, the comments focus in on the risks of acquiring viruses or having your equipment sabotaged, making this media equivalent of anonymous sex or sharing used needles; sad how modern public life gets stuck with such risks. In any case, it's certainly one way to try to get your music out there via sound files and sound-playing applications.
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Harley Gaber (1943-2011)

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