It's important, so we demand improvement

Pliable gets it exactly right:

A critic writing a savage review of a concert is considered to be doing his job, not being anti-classical music. But a commentator writing critically of the BBC's output is considered to be an anti-BBC heretic. Which suggests parallels between the BBC and the established Church. Both have been flattered for decades by unquestioning believers. Both are now in terminal decline. And the loss of both will be a great tragedy.

Unfortunately, it appears that this is far too subtle for the management of many of our institutions: criticism, when expressed because one finds the work or the institution so important that one wants it to be done better, simply gets heard (and used) as a vote against all such work or institutions of the sort.   This problem is far from confined to the U.K.. New music programming in German radio stations faces exactly the same problem, exacerbated by ratings competition from private broadcasters and the budget pressure put on by the extortion-in-the-guise-of-the-holy-cow-called-professional-soccer.  And let's not even get started on the US where new music has never been a presence in NPR affilliates and where slicing the schedule up to cover social or political interest groups has led Pacifica to all-but remove new music from its schedules.  So we're stuck in the awkward position of having to praise whatever does get programmed — even when it's mediocre or just plain crap — out of fear that anything other than praise will be taken as grounds for eliminating new music coverage altogether.  And — misfortune on top of unfortune — this tends to have the side effect of validating the mediocre programming instead of improving it, which just contributes to the downward spiral.   

 




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